FROM SPIRIT TO MATTER [SPECTRE OF LILITH]
published on 2025-11-11STATEMENT OF INTENT
Based on the artistic reflection and implementation of Pierre Bénard Ségu, perfumer-creator.
Combined with mass spectrometry (MS), two-dimensional gas chromatography (GC×GC) is currently the most powerful tool for analyzing the volatile compounds in an odorant blend.
From the spectrum of its fragrance [LILITH, Sombre Héroïne] obtained using this technique, the shape of a three-dimensional odor was generated.
Like a landscape, each hill, each peak, each valley reflects the appearance and concentration of an odorant molecule in the perfume’s wake.
This sculpted relief becomes a tangible map, an abstract topography of an invisible experience: that of odor.
This map is the unique olfactory identity card of the perfume.
A truly witty work.
Keywords: matrix, spectrum, modulation, fingerprints, space, planar
FROM SPIRIT TO MATTER
The Origin of Evil, Lilith, the first perfume sculpture in the world. [2025]
This first work, represented by the fragrance [LILITH, Sombre Héroïne], will be part of the multidisciplinary and multisensory exhibition [From Matter to Spirit] designed to promote olfactory creation, perfume, as an art.
Other spectres
Other fragrances by the composer will also be represented through this unique artistic process and method, modeled and exhibited.
In particular, the fragrance [YUREI, Âme-Sœur], the fragrance of a ghost [allegory of perfume] created for the first halo* of the exhibition, whose chromatogram, ectopl(eon)asm is named [The Spectrum of the Spectrum] and whose four constituent accords gave rise to an exhibition entitled [Olfactory Decomposition of the Perfume of a Ghost]
All of these works will constitute a series entitled [From Spirit to Matter]
*halo= name given to each new performance of the exhibition [From Matter to Spirit].
PRESENTATIONS [THE SPIRITS]
PIERRE BENARD SÉGU
Pierre Bénard Ségu, perfumer and concept designer, is a member of the International Society of Perfume Creators.
An expert in natural raw materials for perfumery, he is also the olfactory artistic director of OSMOART, perfumes, colors, and sounds (www.osmoart.com), with whom he has been developing olfactory concepts for over 20 years.
LUIGI MONDELLO
Professor Luigi Mondello, a leading expert in chromatography and separation sciences, holds a chair in analytical chemistry at the University of Messina and has authored over 770 scientific publications. Renowned internationally for his innovative contributions, he chairs major scientific committees, edits key journals, and has received numerous awards for his research excellence.
MARIOSIMONE ZOCCALI
Mariosimone Zoccali, PhD, is a lecturer in analytical chemistry at the University of Messina and a specialist in sample preparation techniques. He leads the WG3 group of the EuChemS-DAC, serves on the editorial board of Advances in Sample Preparation, and develops innovative methods to enhance sample analysis.
EVA VEDEL
Eva Vedel is an artist and designer whose work explores the connections between craftsmanship, algorithms, and generative design through data sculptures, installations, and narrative objects. Bridging art and science, she develops a hybrid practice where digital technology serves both as a creative tool and a subject of critical reflection.
THE FRAGRANCE
OLFACTORY VISION
LILITH, Sombre Héroïne is Pierre Bénard Ségu’s first personal creation for Ozparfum.
Conceived as a soliflore, it centers on a single flower — a heart of tuberose (Polianthes tuberosa), the perfumer’s emblematic bloom. Its head notes blend cold cardamom and an icy menthol molecule, evoking the chill of dusk and the independence of a free woman, mistress of her own life.
Like a floral bouquet, this tuberose heart is adorned with hints of rose, Indian jasmine, and exotic orange blossoms, recalling a morning dawn when rare flowers warm and bloom in the first light — like a woman tender and in love.
Its suave, maternal trail is a balm to this heart — a milky way of sandalwood and benzoin tears, veiled in cosmic musks upon ambered skin.
CHROMATOGRAM
STRIPPED TO THE BONE [C.f document]
ARTISTIC PROCESS © 2025
Two-dimensional gas chromatography [GC×GC] coupled with mass spectrometry [MS] is currently the most powerful tool for analyzing GC-compatible compounds.
This technique is complemented by the use of MS as a third dimension, following two chromatographic separation steps.
The instrumentation and data processing tools are state-of-the-art.
For perfumes and cosmetics, [GCxGC] is used for targeted quantitative analyses (e.g., suspected volatile allergens and fingerprints), for authentication, fraud detection, and the identification and qualification of powerful odorants.
This high-end precision positions the form created from this perfume formula as a unique, authentic, identifiable, and authenticable odor.
The range of applications of [GCxGC–MS] is worth exploring; OSMOART has chosen this as a future perspective for the field of art.
Using [GCxGC–MS] in an artistic manner promotes scientific advances in this field and positions olfactory creation, that of perfume, as a work of the mind, an art.
INPI REGISTRATION PROCESS ©2025 DSO2025025989
ACHIEVEMENTS
These first unique creations from 2025 testify to the artistic process implemented.
SPECTRE OF LILITH 00
Fine art print on Japanese kozo paper _400x800 mm_
[From Mind to Matter] HALO 7_2025
SPECTRE OF LILITH 01
3D print of black sand_300x150 mm
[From Mind to Matter] HALO 7_2025
An olfactory sculpture allowing you to smell Lilith, Sombre Héroïne
SPECTRE OF LILITH 02
3D print in polylactic acid_500x300 mm
[From Mind to Matter] HALO 7_2025





